I am subbing at “Beautiful” the Carole King Musical, all weekend on Broadway in New York City with my buddy Tatum Greenblatt.
The goal for me this weekend is to sound as “commercial” as possible. One of my favorite trumpet players (who shall go nameless) gave me some tips on how to achieve a commercial sound.
I don’t want to give away his secrets, but I did have to slap on a smaller mouth piece (bach 12c) to help me get that commercial sizzle, à la James Pankow from Chicago (one of my favorite “commercial” trombonists). I am looking forward to the rest of the weekend playing Carole King’s Music.
Since my last post I have been busy with concerts and teaching. Here is a rundown of my latest and future projects.
This is my second year at Riverdale County School. Teaching enriches my playing and satisfies my urge to pass along knowledge to the next generation. The faculty/staff at RCC is top notch.
It has been years since I last played with the Birdland Big Band. What a welcome experience it was to join them again recently. The band has evolved over the years. The trombone section was out of sight with Sarah Jacovino on Lead, Ron Wilkins, and James Browski on bass trombone. I hope to be back there again soon.
Since the closure of Carousel, I am back to “subbing” on various musicals. I was back to one of the most enjoyable shows that I sub at, The Lion king.
I played at Birdland for the CD release of Migiwa Miyagima’s Augmented Orchestra. We recorded the CD last year and I am excited for its release. She packed the house at Birdland and the music sounded fantastic. My mom came out to this one so it was special for me. She lives on the “Left Coast,” so I don’t get to see her everyday.
Rufus Reid’s “Quiet Pride” project took me to Iowa City, IA. The music was challenging and the band delivered an exciting performance. I was impressed with he playing of Ryan Keberly and Michael Dease. Monster players and monster band.
Ron Carters Great Big Band performed at Birdland as well. Mr. Carter takes you on a ride when you are playing with him. He will do something you don’t expect. That is why I love playing in his band. What an honor!!
We had a wonderful concert with the John Eckert New York 9 Nonet at St Peters Church, Manhattan, NY. This is where I have been focus some of my writing lately. This band regularly plays my compositions and arrangements. We have been together for several years and the band is really developing a strong personal sound.
Next week I am busy with The Vanguard Jazz Orchestra. First I am taking over the Lead Trombone Position in the band moving forward. Second, we are beginning the New School Residency with an Open Rehearsal on October 29th from 4-6pm, at 55 west 13th St (2nd Floor). The band will be rehearsing various charts from the book, as well as instituting an emerging composer series.
Third, after the open rehearsal, we pack up and head over to the Village Vanguard for our regular set this Monday, October 29th. Sets are at 8:30PM and 10:30PM. Finally on Saturday, November 3rd, the Vanguard Jazz Orchestra Brings Big-Band Swing to Lawrence Memorial Chapel, 510 E. College Avenue, Appleton Wisconsin, 7:30 p.m. – 9 p.m.
Next month I will be recording with the NEA Jazz Master Jimmy Heath as he puts together another big band album, subbing at the Radio City Musical Hall Christmas Spectacular, and eating lots of “healthy” food for the Holidays.
My wife Rosena Hill Jackson stepped in for Renee Fleming tonight in the role of Nettie at the Broadway production of Carousel in the middle of the second act. The audience gave her a big cheer and loud applause after her performance of “You’ll Never Walk Alone.” I am so proud of her. As a member of the Carousel orchestra, I was so moved that tears began to well up in my eyes as I heard Rosena sing. Everyone in the orchestra was blown away by Rosena’s singing. They all congratulated me. Thank you Rosena!!
Nice time substituting at A Bronx Tale last night. The regular let’s the subs use his Miraphone tuba, but I brought a Walter Sear tuba last night to see if it would be more comfortable. Both seemed fine, if anything, the Miraphone played with less resistance. I was able to produce more sound with less effort on the Miraphone as compared to the Walter Sear tuba.
Thanks to the fine musicians in the band: Perry Cavari, Kenny Beschia, Jamie Dauber, Smitty at the stick and playing piano, and everyone else. Hope to be back soon.
There are strict rules governing when a substitute musician is allowed to play on with a Broadway orchestra. One of the rules is that in a given section, if there is a 1st time sub, all the other musicians in that section must be a regular member OR a substitute that has been designated “as good as the regular player.”
Usually a person is not designated until they have played the show quite a number of times. In my case, I’ve played the show three times and tonight I was playing in the section with a first time lead trumpet player.
Although playing with a 1st time lead trumpeter can be nerve wrecking, I took it as a compliment to my playing. All went very well.