Since my last post I have been busy with concerts and teaching. Here is a rundown of my latest and future projects.
This is my second year at Riverdale County School. Teaching enriches my playing and satisfies my urge to pass along knowledge to the next generation. The faculty/staff at RCC is top notch.
It has been years since I last played with the Birdland Big Band. What a welcome experience it was to join them again recently. The band has evolved over the years. The trombone section was out of sight with Sarah Jacovino on Lead, Ron Wilkins, and James Browski on bass trombone. I hope to be back there again soon.
Since the closure of Carousel, I am back to “subbing” on various musicals. I was back to one of the most enjoyable shows that I sub at, The Lion king.
I played at Birdland for the CD release of Migiwa Miyagima’s Augmented Orchestra. We recorded the CD last year and I am excited for its release. She packed the house at Birdland and the music sounded fantastic. My mom came out to this one so it was special for me. She lives on the “Left Coast,” so I don’t get to see her everyday.
Rufus Reid’s “Quiet Pride” project took me to Iowa City, IA. The music was challenging and the band delivered an exciting performance. I was impressed with he playing of Ryan Keberly and Michael Dease. Monster players and monster band.
Ron Carters Great Big Band performed at Birdland as well. Mr. Carter takes you on a ride when you are playing with him. He will do something you don’t expect. That is why I love playing in his band. What an honor!!
We had a wonderful concert with the John Eckert New York 9 Nonet at St Peters Church, Manhattan, NY. This is where I have been focus some of my writing lately. This band regularly plays my compositions and arrangements. We have been together for several years and the band is really developing a strong personal sound.
Next week I am busy with The Vanguard Jazz Orchestra. First I am taking over the Lead Trombone Position in the band moving forward. Second, we are beginning the New School Residency with an Open Rehearsal on October 29th from 4-6pm, at 55 west 13th St (2nd Floor). The band will be rehearsing various charts from the book, as well as instituting an emerging composer series.
Third, after the open rehearsal, we pack up and head over to the Village Vanguard for our regular set this Monday, October 29th. Sets are at 8:30PM and 10:30PM. Finally on Saturday, November 3rd, the Vanguard Jazz Orchestra Brings Big-Band Swing to Lawrence Memorial Chapel, 510 E. College Avenue, Appleton Wisconsin, 7:30 p.m. – 9 p.m.
Next month I will be recording with the NEA Jazz Master Jimmy Heath as he puts together another big band album, subbing at the Radio City Musical Hall Christmas Spectacular, and eating lots of “healthy” food for the Holidays.
The Scott Reeves Jazz Orchestra celebrates the release of their 2nd CD, “Without a Trace,” at Dizzy’s Club Coca Cola on Monday, Sept. 3 (sets at 7:30 & 9:30). Scott’s arrangements and compositions for “Without a Trace,” along with the 2016 release, “Portraits and Places,” span 18 years and embody a life’s work. Check out this profile of the band in the August issue of “Downbeat.”
Jason Jackson performing his original compositions and arrangements with the New York Jazz Nine nonet at Smalls Jazz Club.
can i buy Pregabalin over the counter in spain Thursday, May 10, 2018 at 7:30 PM – 10:00 PM
Gene Pritsker, Dan Cooper – Directors
Milica Paranosic, Peter Jarvis, Melissa Grey, Svjetlana Bukvich – Associate Directors
– CompCord Big Band –
Friday, March 3rd, 2017 at 7:30pm The Cutting Room
44 East 32nd Street, NYC
Featuring: Vesselin Gellev – violin, Melanie Mitrano – voice, Gerson Galante – clarinet, Sebastian Pritsker – voice, & Charles Coleman – conductor.
CompCord Big Band: Livio Almeida, Gerson Galante – alto saxophones;
Andrew Gould, Jay Rodriguez – tenor saxophones; Mercedes Beckman – baritone saxophone; Franz Hackl, Wayne J Du Maine, Peter Oswald, Jonathan Finlayson – trumpets;
John Clark – horn; Jason Jackson, Mike Seltzer – tenor trombones; David Taylor – bass trombone; Gene Pritsker – guitar; Carlton Holmes – piano; Laurence Goldman – bass; & Joe Abbatantuono – drumset.
1.) Groove From The Louvre – John Clark
2.) ADDIYO * – Alon Nechushtan
3.) Vav Hey Vav – Dan Cooper
4.) Three Paintings ‘Bout New York by Kostabi * – Gene Pritsker 5.) Waltz Heteroclite – David Taylor
6.) Forgotten Peoples – Anthony Branker
7.) Meu Adorado * – Melanie Mitrano / Gerson Galante
8.) Resist * – Joseph Martin Waters
9.) CLIMATE (a nasty woman’s guide to surviving the apocalypse) * – Marie Incontrera 10.) 139th Street – Kinan Azmeh
11.) New York, New York * – John Kander / Lyrics: Fred Ebb / Arrangement: Gene Pritsker
(* denotes a premiere)
This video is from our rehearsal with Gene Pritsker’s CompCord Big Band ‘NY NY’ for our concert on March 3rd @ 7:30pm, At the Cutting Room, 44 E 32nd St, NYC
David Taylor, Gene Pritsker, Dan Cooper, Joseph Martin Waters, Marie Incontrera, Alon Nechushtan, Anthony Branker, Kinan Azmeh, Franz Hackl, Melanie Mitrano/Gerson Galante, John Clark.
CompCord Big Band, Vesselin Gellev – violin, Melanie Mitrano – voice, Gerson Galante – clarinet, Sebastian Pritsker – voice, Charles Coleman – conductor
Obout the concert:
Composers Concordance’s 6th annual festival, entitled ‘New York // New Music’, will be held from March 3-12, 2017, and will feature new music about NYC by more than 55 composers. The six-concert festival will launch at The Cutting Room, with the CompCord Big Band premiering 12 compositions. Composers will include Kinan Azmeh (“intensely soulful” – The New York Times. “spellbinding” – The New Yorker), as well as Dan Cooper, Dave Taylor, Franz Hackl,, John Clark, Anthony Branker, Joseph Martin Waters, Marie Incontrera and Alon Nechushtan. Composer-vocalist Melanie Mitrano will bring her “swinging, clean, cool and refined” vocals. Violinist Vesselin Gellev, Sub-Leader of the London Philharmonic Orchestra, will premiere Gene Pritsker’s violin concerto with big band. This new composition is about three paintings by New York artist Mark Kostabi, whose canvases are permanently featured at The Cutting Room. A new Arrangement of ‘New York, New York’ will be the finale and feature the voice of 12 year old Sebastian Pritsker. Gerson Galante will be the clarinet soloist and Charles Coleman conducts.